Best of 2010 Cinéma

1.Toy Story 3

2. The Social Network

3. Animal Kingdom

4. Amore

5. Raiponce

6. True Grit

7. The Town

8. Greenberg

9. Cyrus

10. Enter The Void

11. Kick Ass

12. Night and Day

13. American Trip

14. The Fighter

15. Le discours d'un roi

16. Tout va bien - The Kids Are All Right

17. Dragons

18. Robin Hood

19. Amer

20. Jackass 3D

“ Largement le meilleur générique de l'année. Peut-être le meilleur générique de la décennie. L'un des meilleurs de l'histoire du cinéma."

Spoiler:

The top 12 films of the year

The Social Network
1

The Social Network
David Fincher, USA

“Like Fincher’s most exacting film Zodiac, this is a forensic study of an enigmatic outcast remaking the world according to his own desires and specifications – and of the people left behind him to clear up or make sense of the mess.”
— Ryan Gilbey

Uncle Boonmee Who Can Recall His Past Lives
2

Uncle Boonmee Who Can Recall His Past Lives (Lung Boonmee raluek chat)
Apichatpong Weerasethakul, Thailand / UK / France / Germany / Spain / Netherlands / USA

“Weerasethakul’s breakthrough smash has the uncommon virtue of trusting its audience to furnish its own commentary and explanations – a virtue made possible by its magical realism.”
— Jonathan Rosenbaum

Another Year
3

Another Year
Mike Leigh, UK

“The latest of Leigh’s studies of happiness and the lack of it. Generous yet not indulgent to its characters, it’s a film during which one can find oneself changing one’s mind about which characters are most to be pitied and most to be admired.”
— Edward Buscombe

Carlos
4

Carlos
Olivier Assayas, France / Germany / Belgium

“Assayas skipped the psychology of terrorism in favour of depicting the Marxist assassin-hijacker as the star of his own 21-year action movie – a man whose need for sex and liposuction confounds the notion of revolutionary asceticism.”
— Graham Fuller

The Arbor
5

The Arbor
Clio Barnard, UK

“A brilliantly inventive escape from the dead end of British social realism, Barnard’s film tells the tragic story of Northern playwright Andrea Dunbar and her children. Fortuitously, alas, it has also turned out to be the first real British film of the Cameron era.”
— Jonathan Romney

Winter’s Bone
=6

Winter’s Bone
Debra Granik, USA

“Not least because of Jennifer Lawrence’s riveting lead performance, this was one of the best quest movies I’ve seen in years, its dark fairytale tests all the more compelling because they are faced by a 17-year-old girl in a dirtily real Ozark mountains setting.”
— Lee Marshall

I Am Love
=6

I Am Love (Io sono l’amore)
Luca Guadagnino, Italy

“Guadagnino’s Tilda Swinton vehicle is the best portrait of crumbling aristocracy since Luchino Visconti’s The Leopard – and also has a delirious homage to D.H. Lawrence as the cherry on the cake.”
— Naman Ramachandran

The Autobiography of Nicolae Ceausescu
=8

The Autobiography of Nicolae Ceausescu (Autobiografia lui Nicolae Ceausescu)
Andrei Ujica, Romania

“Ujica’s reconfiguration of archival propaganda material, quietly needling out its intrinsic irony and the seeds of its own unravelling, is stunningly innovative in the realm of documentary.”
— Carmen Gray

Film socialisme
=8

Film socialisme
Jean-Luc Godard, Switzerland / France

“Like many friends, I’m still figuring this one out – and the effort has already been well worth the trouble. Even when Godard’s pet notions are unduly solipsistic, the work (and play) with sound and image are too dazzling to ignore.”
— Jonathan Rosenbaum

Nostalgia for the Light
=8

Nostalgia for the Light (Nostalgia de la luz)
Patricio Guzmán, France / Germany / Chile

“In Chile’s Atacama desert, astronomers examine the origins of the universe. Close to the observatory, families of the disappeared search for vestiges of their loved ones, victims of Pinochet’s regime. An extraordinary film about the unknown and the unknowable.”
— Maria Delgado

Poetry
=8

Poetry (Si)
Lee Changdong, South Korea

“The title tells all, evoking both the story (a woman takes to writing verse as her grandson is implicated in a girl’s suicide) and tone of Lee’s exquisite film. Seamlessly conjoining many themes, it benefits from one of the year’s best performances, from Yun Junghee.”
— Geoff Andrew

A Prophet
=8

A Prophet (Un Prophète)
Jacques Audiard, France / Italy

“A Prophet has some of the virtues of the prison dramas Hollywood made in its heyday, like Riot in Cell Block 11, but updated to the present where the prison’s racial mix generates a particularly pungent aggression and tension. Tahar Rahim is brilliant as the young criminal who, through intelligence and grit, works his way up the criminal pecking order.”
— Edward Buscombe

wootsuibrick a écrit:1-Film Socialisme (des gens que j'ai croisé à la sortie du film, en ont parlé très longtemps, je me suis dit, en effet...)

2-Au nom des trois couleurs (vu quarante minutes du film, mais c'était cool)

3-Tengen Toppa Gurren Lagann (sans aucun doute le shounen ultime, question dépense d'énergie, dans l'exécution à multiple reprises de la même super attaque, ça peut sauver du cynisme ambiant)　



4-Karaté Kid, (vu dans l'avion, c'était mignon, mais sans plus)

5-Inception (vu dans l'avion, ça tient réveillé)

6-Wall street, (vu dans l'avion, me suis endormi devant, c'est bavard)

7-Okan no yomeiri (vu dans l'avion en deux fois, une première partie à l'aller (puis je me suis endormi), et la deuxième partie au retour. pas reconnu Aoi Miyazaki au départ, mais je l'ai trouvé mignonne quand même, bien que le film soit insignifiant)



8-The Expendables (vu chez le pote d'un pote, après la plage (j'aime pas trop aller à la plage) me suis endormi à cinq minutes de la fin, y avait beaucoup de bang bang. En explosion de lumière et dépense d'énergie c'est pas mal, mais à côté de tengen toppa gurren lagann ça fait quand même pitié, ça vise pas assez haut. Dans tengen toppa gurren lagann ils se foutent dans la tronche en se balançant des galaxies dans la tête, là dans le truc de stallone c'est juste des coups de patte et des gros fusils mitrailleurs... mais bon y a quand même une scène où on voit dans le même plan (ou presque) schwarzy, stallone, et bruce willis)