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Y a pas de divertissement, tout est entertainment

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Y a pas de divertissement, tout est entertainment Empty Y a pas de divertissement, tout est entertainment

Message par Borges Mar 12 Jan 2010 - 12:22




Perhaps the chief difference between society and mass society is that society wanted culture, evaluated and devaluated cultural things into social commodities, used and abused them for its own selfish purposes, but did not "consume" them. Even in their most worn-out shapes these things remained things and retained a certain objective character; they disintegrated until they looked like a heap of rubble, but they did not disappear. Mass society, on the contrary, wants not culture but entertainment, and the wares offered by the entertainment industry are indeed consumed by society just like any other consumer goods. The products needed for entertainment serve the life process of society, even though they may not be as necessary for this life as bread and meat. They serve, as the phrase is, to while away time, and the vacant time which is whiled away is not leisure time, strictly speaking time, that is, in which we are free from all cares and activities necessitated by the life process and therefore free for the world and its culture it is rather left-over time, which still is biological in nature, left over after labor and sleep have received their due. Vacant time which entertainment is supposed to fill is a hiatus in the biologically conditioned cycle of labor in the "metabolism of man with nature," as Marx used to say. Under modern conditions, this hiatus is constantly growing; there is more and more time freed that must be filled with entertainment, but this enormous increase in vacant time does not change the nature of the time. Entertainment, like labor and sleep, is irrevocably part of the biological life process. And biological life is always, whether laboring or at rest, whether engaged in consumption or in the passive reception of amusement, a metabolism feeding on things by devouring them. The commodities the entertainment industry offers are not "things," cultural objects, whose excellence is measured by their ability to withstand the life process and become permanent appurtenances of the world, and they should not be judged according to these standards; nor are they values which exist to be used and exchanged; they are consumer goods, destined to be used up, just like any other consumer goods. Panis et circenses truly belong together; both are necessary for life, for its preservation and recuperation, and both vanish in the course of the life process that is, both must constantly be produced anew and offered anew, lest this process cease entirely.

(Arendt, en vo)
Borges
Borges

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